The lectures examine landmark operas musical, cultural, and social developments that influenced opera’s growth and the influence of national languages and cultures on opera. The history of opera is traced from its beginning in the early 17th century to around 1924. And you will be able to explore in great depth the extraordinary and compelling world of opera. You will learn the reasons for opera’s enduring popularity. With the knowledge of opera from this course, you will understand how music has the power to reveal truths beyond the spoken word how opera is a unique marriage of words and music in which the whole is far greater than its parts. With Professor Robert Greenberg to show you how, you can learn to understand, appreciate-even to love-opera in just 24 hours of lectures. Geniuses-Monteverdi, Mozart, Verdi, Wagner, and Puccini-produced some of the landmark artistic achievements of all time in this form. But the long-term prize is the definition of new processes that renew the art’s potential to build cohesive societies and imagine a revitalised, common culture in which everyone can feel that they belong.For more than 400 years, opera has been one of the most popular performing arts. The immediate outcomes will be new routes for social and economic integration for the people involved, better relationships between opera producers and society, and cutting-edge technological development. The exceptional resources of the TRACTION partnership will help us meet that challenge through mutual support. For centuries, opera was among the most popular forms of entertainment in Western culture. Bridging the social and cultural divides involved will challenge many existing beliefs, structures and habits. Written by MasterClass Last updated: 4 min read Opera music is usually performed in a theater and set to classical music. Experimental projects in inner-city Barcelona (ES), a youth prison in Leiria (PT) and rural communities in Ireland will test and share new ideas. By combining best practice in participatory art with digital technology’s innovations of language, form and process, we will define new approaches to co-creation and innovate in three fields: a) Opera creation and production b) Immersive and interactive digital media and c) Social integration and community development. We look at the role of the Florentine Camerata in the development of opera, and we. to participate in the development of opera and choreographic art in France. We see the evolution of intermezzo as a precursor to the first real opera. We want to define new forms of artistic creation through which the most marginalised groups (migrants, the rural poor, young offenders and others) can work with artists to tell the stories that matter now. Music Music creation and broadcasting organizations The Paris Opera House. We do not want to make opera palatable to those who don’t attend. Within a decade of the earliest productions, the masterful composer of madrigals (a type of vocal chamber music) Claudio Monteverdi made his debut in the field with two dramatic works: La favola d’Orfeo (1607 The Fable of Orpheus), the first opera to maintain a place in the modern repertory, and L’Arianna (1608), now lost except for the Lamen. TRACTION aims to change that using opera as a path for social and cultural inclusion, making it once again a force for radical transformation. With rising inequality and social exclusion, many see opera-if they think of it at all-as symbolic of what is wrong in Europe today. And yet a form that once inspired social and artistic revolutions is often seen as the staid preserve of the elite. It is rightly recognised as a great achievement of European culture. The apparent defects of the piece are less a matter of Sebastiani's conception or any potential step backwards in the development of German theatrical music. Opera uses all the visual and performing arts to create extraordinary worlds of passion and sensibility.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |